MOSCOW. (RIA Novosti commentator Sergei...
outdoor filming to studio work, and had little use for his refined modernism. Fellini"s star shone its brightest after 1955, when he made his most acclaimed films, with their meditating and reminiscing hero.The bitter-sweet obsession of creativity, its exhilarating joy and merciless heart-searching, was one of his leitmotifs. His aspirations were materialized by Marcello Mastroianni, his cinematic alter ego, who found the best form for the kaleidoscope of bizarre acts and sensations overcoming Fellini"s seemingly fulfilled and successful characters.
In La Dolce Vita, highly accomplished journalist Marcello luxuriates in the jet-set, but is haunted by a longing for a more serious and purposeful life. In 8 1/2, famous director Guido Anselmi loses all interest in a science fiction film he is making about the world"s rescue from nuclear disaster. Mastroianni plays Fellini himself, desperate in an outwardly happy life at the peak of an inner crisis. A mingle of
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